From their mythical origins to astonishing feats of engineering, an expertly informed reassessment of one of the great empires of the Americas: the Inca. In their heyday, the Inca ruled over the largest land empire in the Americas, reaching the pinnacle of South American civilization. Known as the "Romans of the Americas," these fabulous engineers converted the vertiginous, challenging landscapes of the Andes into a fertile region able to feed millions, alongside building royal estates such as Machu Picchu and a 40,000-kilometer-long road network crisscrossed by elegant braided-rope suspension bridges. Beautifully illustrated, this book examines the mythical origins and history of the Inca, including their economy, society, technology, and beliefs. Kevin Lane reconsiders previous theories while proposing new interpretations concerning the timeline of Inca expansion, their political organization, and the role of women in their society while showcasing how their legacy endures today.

A sure faith and a clear understanding of the Bible is available to every Believer, not just Pastors and theologians. There is no need for any of us to be led astray and have our hopes dashed because they have been built on fallacy. God who cannot lie has breathed out truth in His Word to us in such a way that we each really can understand it. We live in an age of unprecedented access to knowledge yet the popular media thrives by selling us news bites we seldom verify. Most church goers today get all their theology in 40 minute purpose filled messages on Sunday mornings. Many have almost no ability to "rightly divide the Word of Truth" and so leave the deeper things of God and the sure faith they build to be experienced by only those who have been to seminary. This makes us easy prey for false teachers, and prophets. Shockingly, it mostly goes unnoticed that the lost are being inoculated against Eternal Salvation by false conversion experiences. We need a fail-safe against all this error and God has given it to us in His Word. Fallacy lays in wait for every unprepared believer but the Bible was written to reveal truth to us. Fail-Safe For Fallacy can help anyone confidently learn this truth directly from the Scriptures. Every Believer really can cut straight through to the truth God has given us in His Word instead of being tossed to and fro by the various doctrines of men. You can know truth, and be sure of it!

A reflection on one of Broadway's most iconic flops, this memoir follows a musical that featured one of the silver screen's most powerful personalities. Bette Davis was nominated for twelve Academy Awards and twice won the Best Actress award, starring in classics like Jezebel, The Letter, The Little Foxes, All About Eve and Whatever Happened to Baby Jane?, among many more. In 1974, the living legend agreed to star in Miss Moffat, a musical adaptation of Emlyn Williams' The Corn in Green. Expectations were high, but Miss Moffat opened and then abruptly closed, leading theatre gossips to speculate on what went wrong. Early in his career, Kevin Lane Dearinger, a young actor who had recently relocated to New York, landed a minor role in Miss Moffat. Inexperienced and unsure of himself, he kept a journal of his observations and experiences throughout production. He observed the older and more seasoned Miss Davis, who seemed determined to remain clear-headed despite the unfolding calamity. In this book, Dearinger revisits his journal to reflect on his own life, a fated stage production, his experience with an entertainment legend and a bygone era of Broadway.

Clyde Fitch (1865-1909) was the most successful and prolific dramatist of his time, producing nearly sixty plays in a twenty-year career. He wrote witty comedies, chaotic farces, homespun dramas, star vehicles, historical works, stark melodramas, and adaptations of European successes, but he was best known for his society plays, mirroring themes found in the novels of Henry James and Edith Wharton. In fact, Fitch collaborated with Wharton on a stage adaptation of her House of Mirth. He was also a gay man, although that gentler adjective was not the term of his time. He was bullied in school and baited by critics throughout his career for what they supposed of his private life. He responded with impressive strength and integrity. He was, at least for a short time, Oscar Wilde's lover, and Wilde influenced his early plays, but Fitch's study of Ibsen and other European dramatists inspired him to pursue the course of naturalism. As he became more successful, he took greater control of the staging and design of his plays. He was a complete man of the theatre and among the first names enrolled in New York's theatrical hall of fame.

Lexington, Kentucky, has been called the cradle of the legitimate theatre west of the Appalachians since the opening of its first theatre in 1808. Not long after that opening, a fledgling resident acting company presented Macbeth, the town's first professional production of a Shakespearean play. Since then, the local and traveling stars committed to drama drove Lexington's live theatrical glamour to thrive impressively into the twentieth century. Many of the actors who performed in Lexington in the plays of Shakespeare have been forgotten, but their vivid personalities and devotion to their art were once an integral part of American popular culture. The history of their careers and their lives is an important part of theatre history, of Kentucky history, and of American history. This study presents detailed accounts of individual actors in the order of their first appearances in Lexington. Early chapters explore the range of exposure to Shakespeare's plays and players experienced by the town of Lexington and investigate the cultural climate that affected and was affected by that experience. Because Lexington's theatrical history provides a template for what so many mid-American towns experienced in the nineteenth and early twentieth centuries, a section of the book explores how hundreds of American cities connected by the early turnpikes and railroads constituted a community of theatre towns that cherished Shakespeare as a keystone of American culture. Remaining chapters are devoted to the lives and careers of the inspiring performers who brought Shakespeare's words to life over the centuries. Reviews published in Lexington, supplemented with details from newspapers of New York and other cities, have provided source material. In addition, theatrical biographies, histories, historical photographs, programs, advertisements, theatrical journals, scrapbooks, film, and even primitive sound recordings are examined in an attempt to reconstruct something of what Lexington saw and heard of Shakespeare on its local stages.